Learn Beethoven on the Piano

If you’re interested in learning to play the piano, Beethoven is a great composer to begin with. There are several pieces that he wrote for the piano, such as Concertos and Sonatas. The Piano Concerto is one of the best-known works. In fact, it’s regarded as one of the most influential classical music pieces of all time. It’s also one of the easiest pieces to learn.


Beethoven’s 32 Piano Sonatas are a musical tour de force. They offer a glimpse into the genesis of Beethoven’s creativity and are a fascinating journey through his life.

Beethoven’s sonatas contain every emotion he could express. They are characterized by dramatic progressions and intense instrumental explorations. In addition to the virtuoso passages, they feature an elated adagio and an ending fugue.

The first eight sonatas were edited by Stewart Gordon. He offers a comprehensive analysis of the pianos at the time, discusses the use of ornamentation, and provides valuable performance advice.

Maestro Claude Frank has made a number of recordings of Beethoven’s sonatas. His recordings range from A-flat Op. 110 to F major Op. 10. This recording was released for Beethoven’s bicentennial in 1970.

Richard Goode is one of the world’s best Beethoven surveyors. His recording of the complete cycle has been praised as one of the finest. His recording of Sonatas 12-18 is particularly fine.

Piano concertos

The five piano concertos of Ludwig van Beethoven are masterpieces of classical music. These works were recorded by many of the great pianists of their time. They have remained staples in the repertoires of pianists and musical lovers worldwide for countless years. Now, you can enjoy them in a convenient 5-LP vinyl box or on CD. Whether you are a student of classical music, or a seasoned pianist, these recordings will help you gain a deeper understanding of this genre.

Beethoven’s last three concertos broke away from the Mozart tradition. Instead, they feature large orchestral sections and a variety of themes that run into one another.

It was a milestone in the development of the concerto structure. In addition to introducing a new soloist-orchestra combination, Beethoven also created a new form of piano playing. With a long scalar passage and four octave presentation of the main theme, Beethoven created a new relationship between the piano and the orchestra.

Fur Elise

Fur Elise is one of the most played piano pieces in early study. Many people learn to play this piece from YouTube videos.

The first section is the easiest to learn, but other sections are more challenging. In addition to being a challenge, this piece requires precise finger position.

As you work through this piece, keep in mind that the sequence of notes is only changed in certain places. This makes it difficult to put your own interpretation on the piece.

One of the best ways to learn the music is through repetition. It’s recommended that you practice the melody phrase by phrase. You should be able to perform the entire piece by heart before you attempt to interpret it.

Once you’re able to repeat the melody, you can add dynamics to make the music more exciting. Also, you should be able to use a legato style of playing.

Another thing to keep in mind is that you should avoid performing other versions of the piece. There are many permutations of the Fur Elise, and you need to find your own voice to convey the message you want to deliver.


Performing Beethoven Trills on the piano requires a keen ear and some practice. Although there are no hard and fast rules, the proper fingering will help you achieve the desired result. The rate of trill is also a matter of taste.

It is a good idea to practice on different piano actions in order to improve your trill technique. This includes practicing on long held notes and with finger motions.

You can play trills by starting on the upper note or lower note. Most trills start on the higher note. However, if the score calls for a chromatic trill, then the note should start on the lower note.

In Beethoven’s Pathetique prayer section, for example, trills are played in a Baroque style, and are very difficult to play at high speed. If you are a beginner, you may want to practise the first few times in slow motion.

In addition, you should start with the shortest trill possible. Then, you can gradually add more notes to the trill. By playing longer trills, you can build tension in the music.